While Jemez Historic Site is closed, you can visit the Site virtually, from the comfort of your own home. Take the Jemez Historic Site Virtual Tour and visit the ancient Village of Giusewa and Mission of San Jose de los Jemez. The Virtual Tour takes you along the numbered trail and is accompanied by images and brief explanations to help you understand what you are viewing. Take the tour now by visiting http://nmhistoricsites.org/jemez/vr.
How does a museum acquire its collections? Are they purchased or donated? Where is everything stored, and how are things maintained? Why does the New Mexico History Museum have objects and photographs from faraway places? Looking Back: Reflecting on Collections explores these questions and many more as we delve into our museum’s collecting history since the late 19th century.
Throughout the 20th and 21st centuries, moments of violence, political upheaval, and natural disaster have led to the displacement of entire communities. Since the 1960s, displaced people throughout the world—women, men, and children—have embroidered the stories of their forced migrations, new transitions, and memories of more stable lives. Through these textiles, they have been able to document their experiences, share their perspectives, and often, supplement their income during desperate times.
The Train Station, 1979. This gabba, chain-stitched embroidery on felted wool, illustrates the forced migration of Kahuta residents after the area became a site for the national atomic bomb project in 1976. Unknown artist, Pakistan. MOIFA, IFAF Collection, FA.1985.464.13.
The Museum of International Folk Art (MOIFA) presents From Combat to Carpet: The Art of Afghan War Rugs, opening January 12, 2020 and running until August 30, 2020. From Combat to Carpet is a traveling exhibition curated by Enrico Mascelloni and Annemarie Sawkins and features more than 40 handwoven rugs with war-related iconography collected over the past forty years.
Vivid in Japanese art and imagination are creatures that are at once ghastly and comical. Yôkai is a catchall word that generally refers to demons, ghosts, shapeshifters, and “strange” and supernatural beings. Yôkai are prevalent in Japanese popular and expressive culture; you find them in manga (comics), anime (animation), and character-based games such as Pokémon (“pocket monster”).
Working on the Railroad pays tribute to the people who moved the rail industry throughout New Mexico.
Using nearly forty images from the Palace of the Governors Photo Archives and the Library of Congress, this exhibition offers an in-depth look at the men and women who did everything from laying track to dispatching the engines. Wrenches, lanterns, tie dating nails and other objects from the New Mexico History Museum collections will be displayed to give additional life to the photos; many hands used those tools to ensure that each engine ran smoothly and successfully.
The exhibition Música Buena: The exhibition will focus on the rich history of traditional Hispano music from the arrival of the Spanish through the present. Once in New Mexico, historic European traditions took on a new life and feel, blending with Native customs and reflecting the land, time, and place where these folkloric songs and traditions developed.
This exhibition features 23 original graphic history art works by Santa Fe-based artist Turner Avery Mark-Jacobs. This display, ’The Massacre of Don Pedro Villasur,’ narrates the history of an ill-fated Spanish colonial military expedition which set out from Santa Fe in 1720. This depicted story shares the exhibit room with the History Museum’s Segesser I and II Hide paintings located in the Telling New Mexico gallery.
Jan 6, 2019 - Dec 31, 2021
VIRTUAL Community through Making From Peru to New Mexico
Museum of International Folk Art
PROGRAMA VIRTUAL Comunidad a través de la Creación De Perú a Nuevo México
Community through Making brought together local and Peruvian artists to explore how art shapes healthy and vibrant communities. The installation was a conversation across borders, highlighting three collaborative projects that paired local artists and artists from Peru for 10-day residencies in conjunction with the exhibition Crafting Memory: The Art of Community in Peru. This exhibition in the Gallery of Conscience experimented with community curation, filling the gallery with video, stories, and artworks as created and told by museum program participants over the course of 18 months.
The First World War exhibition investigates the contributions of New Mexicans to the war, through letters, photographs and objects.
“New Mexico played an important role in both world wars,” said Andrew Wulf, then-Director of the New Mexico History Museum. “We are proud to be able to recognize and remember that contribution and add The First World War as a permanent exhibition, to underscore the sacrifice and heartfelt letters home from these brave soldiers.”
The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit, Shufelt and his wife, Julie, donated his collection to the museum for a long-term exhibition.
Dec 7, 2014 - Dec 31, 2024
Setting the Standard: The Fred Harvey Company and Its Legacy
New Mexico History Museum
Will Rogers noted that Fred Harvey “kept the West in food—and wives.” But the company’s Harvey Girls are by no means its only legacy. From the Atchison, Topeka and Santa Fe Railway’s 1879 arrival in New Mexico to the 1970 demolition of Albuquerque’s Alvarado Hotel, the Fred Harvey name and its company’s influence have been felt across New Mexico, not to mention the American West. The company and its New Mexico establishments served as the stage on which people such as Mary Colter were able to fashion an “authentic” tourist experience, along with Herman Schweizer who helped drive the direction of Native American jewelry and crafts as an industry.
Setting the Standard: The Fred Harvey Company and Its Legacy, a new section that joins the New Mexico History Museum’s main exhibit, Telling New Mexico: Stories from Then and Now, helps tell those stories. Setting the Standard uses artifacts from the museum’s collection, images from the Palace of the Governors Photo Archives and loans from other museums and private collectors. Focusing on the rise of the Fred Harvey Company as a family business and events that transpired specifically in the Land of Enchantment, the tale will leave visitors with an understanding of how the Harvey experience resonates in our Southwest today.
Multiple Visions: A Common Bond has been the destination for well over a million first-time and repeat visitors to the Museum of International Folk Art. First, second, third, or countless times around, we find our gaze drawn by different objects, different scenes. With more than 10,000 objects to see, this exhibition continues to enchant museum visitors, staff and patrons. Explore highlights from the GIRARD WING.
On display in the Bataan Building Atrium Gallery: Touching Beauty Now, sculpture by Santa Clara Pueblo’s Michael Naranjo, celebrated the world over for his bronze and stone forms suspended in fluid, graceful movement.
Telling New Mexico: Stories from Then and Now sweeps across more than 500 years of history—from the state’s earliest inhabitants to the residents of today. These stories breathe life into the people who made the American West: Native Americans, Spanish colonists, Mexican citizens, Santa Fe Trail riders, fur trappers, outlaws, Buffalo Soldiers, railroad workers, miners, scientists, hippies, artists, and photographers.
The Buchsbaum Gallery features each of the Pueblos of New Mexico and Arizona in a selection of pieces that represent the development of a community tradition. In addition, a changing area of the gallery, entitled Traditions Today highlights the evolving contemporary traditions of the ancient art of pottery making.