Dec 13, 2020 - Feb 13, 2022
Dressing with Purpose: Belonging and Resistance in Scandinavia
Museum of International Folk Art
Dressing with Purpose examines three dress traditions today—Swedish folkdräkt, Norwegian bunad, and Sámi gákti—in light of more than two centuries of social and political change across Scandinavia.
Jan 25, 2020 - Apr 19, 2020
The birth, death and resurrection of Christ: from Michelangelo to Tiepolo
New Mexico Museum of Art
During the Renaissance, biblical episodes from the life of Christ were the artistic mainstay for a majority of artists.
Vivid in Japanese art and imagination are creatures that are at once ghastly and comical. Yokai generally refers to demons, ghosts, shapeshifters, and “strange” and supernatural beings. Specific creatures are commonly associated with classical literature, folklore, theatrical performances, festivals, art, and other forms of expressive culture. Yokai are also prevalent in contemporary Japanese popular culture; you find them in manga (comics), anime (animation), and character-based games such as Pokémon (“pocket monster”).
Working on the Railroad pays tribute to the people who moved the rail industry throughout New Mexico.
Using nearly forty images from the Palace of the Governors Photo Archives and the Library of Congress, this exhibition offers an in-depth look at the men and women who did everything from laying track to dispatching the engines. Wrenches, lanterns, tie dating nails and other objects from the New Mexico History Museum collections will be displayed to give additional life to the photos; many hands used those tools to ensure that each engine ran smoothly and successfully.
The exhibition Música Buena: Hispano Folk Music of New Mexico will open in the Hispanic Heritage Wing October 6, 2019. The exhibition will focus on the rich history of traditional Hispano music from the arrival of the Spanish through the present. Once in New Mexico, historic European traditions took on a new life and feel, blending with Native customs and reflecting the land, time, and place where these folkloric songs and traditions developed.
A believer in numerology, astrology, and faith healing, Agnes Pelton’s abstract compositions propelled her into an esoteric world epitomized by the Transcendental Painting Group (1938-1942), a short-lived group that promoted abstract, non-objective art. Although Pelton received some attention during her lifetime, she has been relatively unknown within the field of American Art. Approximately 40 – 45 works will comprise this exhibition shedding light on Pelton’s artistic contribution to American Modernism, while examining her practice against a broader, international framework of spiritual and esoteric abstraction.
San Ildefonso pottery is about a little known art, an American art form that deserves recognition and appreciation alongside the other great world art systems. Before there was Santa Fe and before the idea of “art colony” was born there was San Ildefonso, a small village of extraordinarily visionary artists whose ceramic legacy is rich and vitally meaningful.
Alexander Girard was one of the most influential interior and textile designers of the 20th century. Alexander Girard: A Designer’s Universe is the first major retrospective on Girard’s work, organized by the Vitra Design Museum in Germany. It opens a door to his creative universe and shows his close relationships with contemporaries such as Charles & Ray Eames, Eero Saarinen, Andy Warhol, Rudi Gernreich, and many others. Featured are Girard’s designs in textiles, furniture, and sculptures, as well as numerous sketches, drawings, and collages never shown before.
Girard’s Modern Folk examines the particular ways in which renowned mid-century American designer Alexander Girard looked to the motifs, patterns, palettes and compositions of traditional arts for his distinctive textiles.
Social & Sublime: Land, Place, and Art exemplifies how artists in the late 19th through the 20th century have engaged with ideas about land and place and examines the way we understand land as it relates to the cultural and artistic trends of our time.
More than twenty years after their first joint exhibition at the Museum of Indian Arts and Culture (MIAC), Diego and Mateo Romero (Cochiti Pueblo) show their latest work as the 2019 Living Treasures, opening April 7, 2019.
The exhibition, The Brothers Chongo: A Tragic Comedy in Two Parts, features Mateo Romero’s lithographs and paintings, as well as Diego Romero’s pottery and lithographs.
Pairing Pueblo imagery with cutting-edge messages, the exhibition will be on view through October 2019.
Though the brothers employ separate artistic mediums, the exhibition articulates a collective vision of the future for Native people. Both Diego’s pottery and Mateo’s paintings address how to heal communities through a shared experience.
Della Warrior (Otoe-Missouria), director of MIAC, addresses awarding Diego and Mateo Romero as the 2019 Living Treasures. “While their individual careers continue to soar, we are honored to spotlight their talent, unique perspectives and distinct artistic styles with an exhibition of their current work scheduled to open this April.”
Lillia McEnaney curates the exhibition, capturing each of the brothers’ unique styles. Mateo creates bold brushstrokes and contemporary viewpoints with a mix of oil and acrylic paint while Diego’s pottery garners influence through graphic designs—both demonstrating innovative style through social commentary and, at times, humor.
In collaboration with the crowdsourcing sculpture collective We the Builders, the New Mexico History Museum will exhibit We the Rosies: Women at Work.
This exhibit, celebrating the 1940’s iconic symbol Rosie the Riveter, which has stood as an international symbol of women’s labor and empowerment, will open during this year’s women’s history month.
The exhibit showcases a 3D printed sculpture of Rosie created through the joint effort of an international body of 700 persons, containing 2,625 individual parts, and will include ongoing profiles of New Mexico’s working women.
This exhibit endeavors to celebrate the many historic women who worked beyond expectations, giving the generations to follow much inspiration.
This exhibit focuses heavily on the events leading up to the DAPL construction and the experiences of many who were at Standing Rock during the protest. However, the exhibit will also highlight other examples of similar encroachments and violations of Native American sovereignty, many of which have impacted Native health and sacred lands.
This exhibition features 23 original graphic history art works by Santa Fe artist Turner Avery Mark-Jacobs. This display, ’The Massacre of Don Pedro Villasur,’ narrates the history of an ill-fated Spanish colonial military expedition which set out from Santa Fe in 1720, a story that is also depicted in the History Museum’s Segesser Hide paintings.
Community through Making brings together local and Peruvian artists to explore how art shapes healthy and vibrant communities. The installation is a conversation across borders, highlighting three collaborative projects that paired local artists and artists from Peru for 10-day residencies in conjunction with the exhibition Crafting Memory: The Art of Community in Peru. This exhibition in the Gallery of Conscience experiments with community curation, filling the gallery with video, stories, and artworks as created and told by museum program participants over the course of the spring and summer of 2018.
The First World War exhibition investigates the contributions of New Mexicans to the war, through letters, photographs and objects.
“New Mexico played an important role in both world wars,” said Andrew Wulf, Director of the New Mexico History Museum. “We are proud to be able to recognize and remember that contribution and add The First World War as a permanent exhibition, to underscore the sacrifice and heartfelt letters home from these brave soldiers.”
This special MIAC exhibition - located at Disney World’s Epcot Center (Orlando, FL) - allows visitors to explore the artistry of American Indian communities and learn about traditional Native influences.
“Creating Tradition: Innovation and Change in American Indian Art” showcases authentic, historical Native artifacts alongside contemporary works of American Indian art—demonstrating examples of cultural traditions which have been handed down through generations.
Native communities from 7 geographic regions across the United States are included in the gallery. Their art represents the richness, depth and diversity of Native cultures past and present. Among the featured artists with works on display are fashion designer Loren Aragon (Acoma Pueblo), noted doll-maker Glenda McKay (Ingalik-Athabascan) and Juanita Growing Thunder (Assiniboine Sioux) from the Growing Thunder family of Montana.
This collection is made possible through the collaboration of the Museum of Indian Arts and Culture (MIAC) in Santa Fe, New Mexico, and the Smithsonian National Museum of the American Indian (NMAI) in Washington, D.C.
The Atomic Histories exhibit explores the most famous events, sometimes little known stories, and inventions born here which impact our lives, and helps to recognize the remarkable contributions of thousands of people involved in writing New Mexico’s Atomic Histories for the last 75 years.
Photo courtesy of the Los Alamos Historical Society Archives
The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit, Shufelt and his wife, Julie, donated his collection to the museum for a long-term exhibition.
Long Term Exhibition
Setting the Standard: The Fred Harvey Company and Its Legacy
New Mexico History Museum
Will Rogers noted that Fred Harvey “kept the West in food—and wives.” But the company’s Harvey Girls are by no means its only legacy. From the Atchison, Topeka and Santa Fe Railway’s 1879 arrival in New Mexico to the 1970 demolition of Albuquerque’s Alvarado Hotel, the Fred Harvey name and its company’s influence have been felt across New Mexico, not to mention the American West. The company and its New Mexico establishments served as the stage on which people such as Mary Colter were able to fashion an “authentic” tourist experience, along with Herman Schweizer who helped drive the direction of Native American jewelry and crafts as an industry.
Setting the Standard: The Fred Harvey Company and Its Legacy, a new section that joins the New Mexico History Museum’s main exhibit, Telling New Mexico: Stories from Then and Now, helps tell those stories. Opening December 7, Setting the Standard uses artifacts from the museum’s collection, images from the Palace of the Governors Photo Archives and loans from other museums and private collectors. Focusing on the rise of the Fred Harvey Company as a family business and events that transpired specifically in the Land of Enchantment, the tale will leave visitors with an understanding of how the Harvey experience resonates in our Southwest today.
Multiple Visions: A Common Bond has been the destination for well over a million first-time and repeat visitors to the Museum of International Folk Art. First, second, third, or countless times around, we find our gaze drawn by different objects, different scenes. With more than 10,000 objects to see, this exhibition continues to enchant museum visitors, staff and patrons.
Telling New Mexico: Stories from Then and Now, the main exhibition of the New Mexico History Museum, sweeps across more than 500 years of stories - from early Native inhabitants to today’s residents - told through artifacts, films, photographs, computer interactives, oral histories and more. Together, they breath life into the people who made the American West: Native Americans, Spanish colonists, Mexican traders, Santa Fe Trail riders, fur trappers, outlaws, railroad men, scientists, hippies and artists.
Here, Now, and Always is a major exhibition based on eight years of collaboration among Native American elders, artists, scholars, teachers, writers and museum professionals. Voices of fifty Native Americans guide visitors through the Southwest’s indigenous communities and their challenging landscapes. More than 1,300 artifacts from the Museum’s collections are displayed accompanied by poetry, story, song and scholarly discussion.
The Buchsbaum Gallery features each of the Pueblos of New Mexico and Arizona in a selection of pieces that represent the development of a community tradition. In addition, a changing area of the gallery, entitled Traditions Today highlights the evolving contemporary traditions of the ancient art of pottery making.